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Archer Button Up in White Linen

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This one has been in the in-box of my mind for quite a while. I cut it out and took the pieces to NH to visit DS and family. No real sewing occurred there. DGD and I retrieved the sewing machine I've stashed there and made some scrunchies she wanted. I will cheerfully sew anything with her! When I arrived back home, I decided to take my time making this Archer Button Up. What a pleasure it was. I made one other Archer, the view with the back peplum . I like it quite a lot and picked up some ideas for improvement. The view I selected this time is almost a classic shirt. It contains a double layer yoke with forward shoulders as well as a collar with a collar stand, though it's not at all obvious from their line drawing. The back contains an inverted pleat and no peplum. The line drawing looks like a Peter Pan collar. The pattern contains a collar band and collar. The not-so-classic characteristics include separate right and left fronts. The left front has a cut-on front placket a...

Two Pieces for Layering

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Filmore duster with Hudson top (TSW) As usual, it seems that we're speeding into winter here in the southeastern US. It always seems that way to me because I love seeing the fall colors and I miss them when they're gone. There are still some beautiful trees here but we're beginning to light the fire at night. As winter approaches, I think about 3-piece ensembles. One of my tried-and-true layering pieces is the super simple Hudson top, from the Sewing Workshop (TSW). I like to make the shorter version so it slides easily under a vest or a jacket. I know that a current style includes the hem of a shirt showing beneath a short jacket, but I have not been able to adjust my eye.  It just looks wrong to me. This season's first Hudson was made with a swoon-worthy cotton Ikat in black and brown purchased online from Stonemountain and Daughter. I did not have enough fabric, per usual, and so added a band to the front hem and bias binding to the sleeve hems. There is always enoug...

Seasonal Changes

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It is finally autumn here in the southeastern part of the US. And it feels a bit like we're heading into winter quickly. It always feels that way because I love the feel and look of fall and want it to stay a while. Twice a year, I move my clothes from one closet to another. It is always a good time to assess the items I'm not wearing or items that need mending. And I find myself enjoying the making of small tweaks in a few items. First up is this black cotton shirt with white sashiko , constructed 2 years ago. It is made in a medium weight cotton that feels a bit like washed linen. I traced the pattern while at Sew Kansas. It has never been published by the Sewing Workshop. This neckline is not part of the pattern. I adapted it from the Egyptian shirt from Folkwear. I like it a lot and have worn it often. Black pants; black top; done. No surprise that is began to look quite washed out after a number of washings. And I have all this black walnut juice around, so I thought, why ...

A Contemporary Kimono

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I have long been enamored of the traditional kimono shape. I have made many, usually from the Folkwear pattern, Japanese Field Clothing. It is composed strictly of rectangles, a conventional Japanese kimono construction. Recently I've seen a plethora of posts on Instagram for the Wiksten Kimono . I resisted ordering the pattern as long as I possibly could. After all, what could be so different in a kimono pattern? Ultimately I fell under the Wiksten spell after seeing one image after another of this kimono on Instagram. There are a ga-zillion of them , all lovely, IMO.  Wiksten patterns are produced by a designer out of Oregon. She has a few patterns, but I am certain that nothing has sold like the Wiksten. It took about 10 days to arrive. The Wiksten is nicely drafted, unconstrained by a need to rely on rectangles and so is different from a Japanese kimono. The front and backs are curved out at the armcyes. Also the shoulder line is sloped in a more natural fashion than a typical ...